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Ismail Gulgee (October 25, 1926 – December 14, 2007) Pride of Performance, Sitara-e-Imtiaz (twice), Hilal-e-Imtiaz, was an award-winning, globally famous Pakistani artist born in Peshawar. He was a qualified engineer in the U.S. and self-taught abstract painter and portrait painter. Before 1959, as portraitist, he painted the entire Afghan Royal Family. From about 1960 on, he was noted as an abstract painter influenced by the tradition of Islamic calligraphy and by the American "action painting" idiom. His name is also spelled "Guljee", "Gulji", or "Gulgi" in some sources.
Initially, he went to Aligarh University to study civil engineering before heading off to USA for continuing his higher education. According to artnet.com, Gulgee started to paint while acquiring his training as an engineer in the United States at Columbia University and then Harvard. His first exhibition was in 1950.
Gulgee was a gifted and consummately skilled naturalistic portrait painter who had enjoyed (according to Partha Mitter) "lavish state support" and plenty of elite commissions in this capacity. Nevertheless, he was perhaps best known worldwide for his abstract work, which was inspired by Islamic calligraphy and was also influenced by the "action painting" movement of the 1950s and 1960s (Mitter notes that Elaine Hamilton was a strong influence in this direction). This is perhaps a natural enough stylistic combination, since in both Islamic calligraphy and action painting a high value is placed on the unity and energy of gestural flow. As with the works of other action painters or abstract expressionists, Gulgee's canvases were often quite large. He was also known for using materials such as mirror glass and gold or silver leaf in his oil paintings, so that they were in fact mixed media pieces.
According to the Metropolitan Museum of Art: "Gulgee's calligraphy paintings are abstract and gestural interpretations of Arabic and Urdu letters. His sweeping layers of paint explore the formal qualities of oil paint while they make references to Islamic design elements"
Beginning in the 1960s (if not earlier), Gulgee also created sculptures, including bronze pieces that were (like so many of his paintings) calligraphic in form and inspiration, and sometimes specifically based on verses from the Quran.
His paintings were bright and full of color, but the paint was put on with great sensitivity, and paintings vibrate with intense feeling. Areas sing with luminous, thin color; thick blobs of paint pulsate with fiberglass tears, the brush swirls strong and free. The total effect used to be very free, yet considered and well thought out. They work enormously well, because it was all orchestrated with great care and concentration.
His son Amin Gulgee is also a famous artist.
Gulgee, as he was famously known, received many requests for his paintings internationally, from the Saudi royal family to the Islamabad presidency. Many of his works are placed in the "Faisal Mosque" in Islamabad. He received many awards, including in Pakistan, Saudi Arabia, Japan and France.
Gulgee's exhibitions have mostly been available to few people. He mostly painted for his own inspirations and vision. Gulgee was last based in Boat Basin in Karachi.
Gulgee, his wife Zarrin Gulgee and a maid were found dead in their house on the evening of December 19, 2007 by his servants. Police suspect that all three had been murdered. While the bodies were found on the 19th, officials report that they had apparently been deceased for three days, leading to a speculative death date of December 16, 2007. Their bodies were found bound and gagged in separate rooms of the house. The initial cause of death for all three has been attributed to suffocation. According to press reports, his son reported that Gulgee's car and driver are missing. Gulgee was buried on the evening of December 20, 2007, in Karachi.
This biography is licensed under the GFDL. It uses material from the Wikipedia article Ismail Gulgee
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